This coming Friday (September 21, 2007), the first episode of the third (and I believe last) season of Avatar: The Last Airbender begins. Produced by Nickelodeon, Avatar is a show aimed at children that has also captured the attention of many people outside the target audience. It’s captured my attention as well, even though I originally didn’t have my interest in it.
There are tons of articles as to why it’s so popular, discussions on the various minutia, and the like. I will be talking about the multi-Asian aspect of the show, and how it’s reflected in the setting, the characters, etc. This is going to be less of a detailed examination, and more of a ‘things I noticed’ post.
As most of the fans of the show would likely tell you, the show mainly pulls from Chinese culture. All of the ‘Bending’ (elemental manipulation) in the show is based on various forms of kung fu, and the majority of the clothing styles and other background items seem to be derived from historical Chinese items. The language is primarily derived from Chinese (I will admit to not knowing which dialect) as well, from the various names to all of the writing.
One major Chinese theme they didn’t use, however, is the elements. The elemental theme of the show pulls from the western idea of ‘four elements’ (fire, water, air, earth), and not the Chinese idea of ‘five elements’ (fire, water, metal, wood, and earth). I would guess that this is because the creators are more familiar with the ‘four elements’, and because they figured that the majority of their audience would be more familiar with it, as well. Using the Chinese elemental theme would have probably made writing the story a bit more difficult, since there wouldn’t necessarily be opposite elements, and an additional fifth nation.
But there are other Asian influences that can be seen in the show. Japanese and Korean clothing styles can be seen from time to time, though usually on minor or incidental characters. Indian philosophical and religious ideas (chakras are revealed to be vital to achieving the special Avatar state in the second season, for example) are sometimes referred to when it comes to some of the Avatar’s spirituality. And the animation style pulls from Japanese and Korean animation styles and direction.
Over the years, there have been a variety of attempts to blend the various Asian nations into a coherent world. The majority of them, in my experience, have used Japanese culture as their base, and occasionally pulled in ideas from the other Asian nations. (The D&D setting Oriental Adventures is a good example of this.) So in using Chinese culture are its base, Avatar is already fairly different from other shows of a similar bent.
These shows have also usually been the creation of non-Asian people, for some reason. They have hit varying levels of success, though from what I recall, many have tended towards ‘not very’. This time, however, the success is definitely on the side of ‘really, really successful’. I think that it helps that they have consulted with an actual kung fu sifu for the action and bending sequences, and it looks like they have done an incredible amount of research.
At this point, I’m kind of rambling, but that’s okay - my mind’s on this Friday, and what the first episode of ‘Book Three: Fire’ is going to bring.
(For the record, my favorite characters are Uncle Iroh, Ty Lee, Suki, and Sokka)
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