Greetings, Hong Kong Cavaliers!

You know, I really enjoy our time together.  It’s just you all and me.  Long, lingering stares.  Romantic whispers.  Tender touches.  Restraining orders.

Hey!  What the Hell?!?

What the Hell indeed.  Hellboy, that is.  As in, I saw Hellboy II: The Golden Army this past weekend, and I wanna tell you about it.

Hopefully, the five of you who read my articles are familiar with the character Hellboy and the self-titled comic book series he comes from.  But just in case, here’s a quick rundown:

Hellboy is a demon who was summoned as an infant by Nazi occultists to help them win World War II.  He was “rescued” by the Allied forces and raised by the US government, eventually becoming the top paranormal investigator of a secret, US government agency.

Now, I further hope you’ve seen the first movie.  If not, I’ll wait here while you do so…

 
…

 
*checks watch*

 
…

Good Lord, could you hurry up?  I haven’t got all night.

Okay, so the first flick was a pretty fun-filled romp of awesome, right?  It took what we love about the Indiana Jones flicks (hero versus Nazis with the world at stake), injects it with some supernatural kick-assery (that is so a word), and adds a big, red demon with a big, not red gun as its hero.  Then it ups the action and adventure up several notches.  Bake for a half hour.  Serves several million in box office receipts.

Now, how does the sequel measure up?

It’s like Guillermo del Toro (the director) opened up the floodgates of the imagination and forced it to spew all over film stock.  Then he handed it out to theaters and smoked a huge cigar in celebration.

The basic plot is this:  Long ago, the inhabitants of the realms of fantasy and the jerk humans of reality waged war.  The King of Elves had an unbeatable Golden Army made to eliminate the humans completely.  The bloodshed was so severe that the King regretted his decision.  A truce was made, and in a small bit of Lord of the Rings double-taking, the King of Elves split the crown that controlled the Army into pieces, giving one to the humans and keeping two for himself.  The terms of the truce gave the cities to the humans and the forests to the mystical creatures forever.  This did not sit well with the Prince, and he went into self-imposed exile.  Present day, and the Prince has returned to seek vengeance after seeing how destructive and greedy the humans have become.  He plans to recover the pieces of the crown and control the Golden Army, wiping out humanity for good in order to save the creatures he feels need protecting.  There is one problem – a certain large, red demon with a large, not red gun plans on stopping him with the help of his team mates.

This film was quite the ambitious project, larger in scope and in story than the first film.  This is just one of many ways that it surpasses its predecessor.  Characters are fleshed out and given more to do.  Even perennial favorite Abe Sapien gets more screen time than the first one.  And this time he even gets a romantic sub-plot.  There is just so much going on in the area of character development that I never felt like anyone got short changed.  Every character - villain, hero, and minors – had their chance to shine.

All the actors hit their marks on this go round, and they do it well.  Ron Perlman is Hellboy.  He’s a natural at it, and it shows.  Selma Blair gets more to do and we get to see some incredible growth in her character.  With Abe Sapien, Doug Jones proves that he is the only man in town to go to when you need an actor in a suit.  He even gets to do his own voice this time!  And many of you may try to gag yourselves upon learning that Seth MacFarlane does the voice of new team member and ectoplasmic entity Johann Krauss.  Better to direct those efforts at laughing, because MacFarlane is perfect for the character.  He even has some of the best funny lines in the film.  Even the minor characters, like Jeffry Tambor’s  BPRD director Tom Mannin, make the best of the screen time they are given.

Let’s not forget the villains.  Luke Goss and Anna Walton are amazing as Prince Nuada and his sister Princess Nuala, respectively.  Goss, in particular, brings intensity and nobility to his character.  Walton manages to hold her own as well, giving us a character that not only provides a romantic foil for Abe, but also serves as a centerpiece to the main conflict.

That’s one of the great things about Hellboy II – del Toro doesn’t give us a standard villain.  What this film has is a character that exists in a grey area, much like Magneto in the X-Men comics.  Prince Nuada isn’t evil.  He’s just trying to protect his fellow mythicals; save them, even.  He is a tragic hero in his own right.  It’s this complexity that is another key ingredient to what makes the sequel exceed the first installment.  The lines are not clearly drawn, and even Hellboy finds himself torn.  He’s just like the creatures he’s fighting against, trying to defend a people that reject him and are frightened by him.

Del Toro handles all of this beautifully, combining the social commentary with a well-paced plot, incredible special effects, character development, and some gorgeous fight and stunt scenes.  It’s those ingredients and the execution that make this film an awe-inspiring spectacle.  They are also what make Hellboy II better then its predecessor.  Don’t get me wrong - I love the first film, but the second one just outperforms.

Plus, it taught me one valuable lesson:

Humans suck.

 
The Don has fought his inner demons.  Then they made up and had pie.

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This entry was posted on Thursday, July 17th, 2008 at 5:46 am and is filed under Donnie Sturges, movies. You can subscribe via RSS 2.0 feed to this post's comments. Both comments and pings are currently closed.